Arenagel   Ref Name Description Col 2 Rose Pink Strong pink wash cycloramas   3 Lavender Tint Subtle cool wash for stage and studio lighting   4 Med Bastard Amber Naturally enhances skin tones   7 Pale Yellow Sunlight   8 Dark Salmon Enhances dark skin tones, sunsets, ballroom sets   9 Pale Amber Gold Late sunlight   10 Medium Yellow Sunlight effect   13 Straw Tint Sunlight wash with gobos, interior lighting   15 Deep Straw Strong mood effect on backings   17 Surprise Peach Skin tones - mood light   19 Fire Disco effect - fire effect   20 Medium Amber Late sunlight   21 Gold Amber Fire effect sunset   22 Dark Amber Backlight   24 Scarlet Pantomime, ballroom sets, fire effects   25 Sunset Red Warm stage wash - TV studio wash - sunset effect   26 Bright Red Cycloramas   27 Medium Red Cycloramas   29 Plasa Red Cycloramas   33 No Colour Pink Warm wash   35 Light Pink Musical revues, warm wash   36 Medium Pink Front of house lanterns   39 Pink Carnation Soft, cool pastel pink, good for backlighting, colourwash   46 Dark Magenta Very strong pink, good for backlighting   48 Rose Purple Musical revues, discos etc, Cycloramas   52 Light Lavender Set dressing, pantomimes and musicals   53 Paler Lavender Slightly cool wash   58 Lavender Backlight   61 Mist Blue Night scenes, cool wash   63 Pale Blue Cycloramas, cool wash   68 Sky Blue Night effect, Cycloramas   71 Tokyo Blue Deep blue, midnight scenes, Cycloramas, skin tones   75 Evening Blue Good for night scenes, romantic moonlight   79 Just Blue Cycloramas   85 Deeper Blue Moonlight, strong backlighting   88 Lime Green Use with gobos for leafy glades - pantos - slightly sinister atmosphere   89 Moss Green With gobos for forest scenes   90 Dark Yellow Green Highlighting for forest scenes   100 Spring Yellow Sunlight wash - use with gobos - disco - dark skin tones   101 Yellow Sunlight and window effect - pleasant in acting areas   102 Light Amber Lamplight effects - dawn sun effects - pleasant in acting areas   103 Straw Pale sunlight through window effect - warm winter effect   104 Deep Amber Mood effect on backing, backlighting of floor and colour effect   105 Orange Many light entertainment, functions, fire effect if used with 106, 166, 104   106 Primary Red Strong red effect, Cycloramas   107 Light Rose As for 104   108 English Rose Warm tint wash - dark flesh tones - softer skin tones   109 Light Salmon Interesting backlighting   110 Middle Rose Pleasing effects for theatrical lighting   111 Dark Pink Good for Cycloramas   113 Magenta Very strong - use carefully for small areas on set   115 Peacock Blue Pleasing effect for theatrical lighting   117 Steel Blue Gaslight in conjunction with 213   118 Light Blue Strong night effect   119 Dark Blue Moonlight mood effect, jazz club etc   120 Deep Blue Pleasing effects for theatrical lighting   121 Evergreen Cycloramas   122 Fern Green Cycloramas - good for mood effect   124 Dark Green Cycloramas - good for back lighting   126 Mauve Cycloramas - good for back lighting   127 Smokey Pink Cycloramas - set lighting discos   128 Bright Pink Cycloramas - good for back lighting - strong effect   130 Clear Used in animation and projection work   131 Marine Blue Romantic moonlight - underwater scenes - ballet   132 Medium Blue Set lighting, travelling matt blue, cycloramas, night   134 Golden Amber Fire effect (doubled up)   135 Deep Golden Amber Fire effect   136 Pale Lavender Pantomime, ballroom sets, enhances dark skin tones, follow spots   137 Special Lavender Moonlight, musical, romantic scenes, enhances skin tones   138 Pale Green Good with gobos for wooded scenes   139 Primary Green Cycloramas   140 Summer Blue Warm blue - cycloramas - tint wash   141 Bright Blue Pretty or romantic moonlight, cycloramas, night   142 Pale Violet Moonlight, chandeliers, highlighting pot plants   143 Pale Navy Blue Moonlight, cycloramas   144 No Colour Blue Moonlight for blue green seas, cycloramas with 147 to produce sunsets   147 Apricot Sunrise, sunsets, lamplight   148 Bright Rose Fire effects, musicals   151 Gold Tint Pleasing effects for theatrical lighting   152 Pale Gold Interior lighting to enhance skin tones   153 Pale Salmon Backlighting in conjunction with white light   154 Pale Rose Pleasing effects for theatrical lighting, lamplight   156 Chocolate With 103 in same lantern to produce candlelight   157 Pink Dance sequences (useful for softening white costumes without affecting skin tones)   158 Deep Orange Fire effect   159 No Colour Straw Warm effect, sunlight   161 Slate Blue Moonlight and dusk   162 Bastard Amber Warm white, warm wash, lamplight   164 Flame Red Fire effect   165 Daylight blue Moonlight   166 Pale Red Cycloramas   169 Lilac Tint Ballroom - dance - backlight - front of house   170 Deep Lavender Set lighting - discos - theatres   172 Lagoon Blue Floodlit warm wash - underwater scenes - ballet   174 Dark Steel Blue Set Lighting - creates good moonlight shadows   176 Loving Amber Sunrise, Backlight   179 Chrome Orange Combination of half CTO and double strength 104, sunlight   180 Dark Lavender Pleasing effects for theatrical effects, backlighting   181 Congo Blue Theatre and television effects lighting, backlighting   182 Light Red Theatre and television effects lighting, cycloramas   183 Moonlight Blue Moonlight cycloramas   184 Cosmetic Peach Pale tints complementary to key lighting   185 Cosmetic Burgundy Pale tints complementary to key lighting   186 Cosmetic Silver Rose Pale tints complementary to key lighting   187 Cosmetic Rogue Pale tints complementary to key lighting   188 Cosmetic Highlight Pale tints complementary to key lighting   189 Cosmetic Silver Moss Pale tints complementary to key lighting   190 Cosmetic Emerald Pale tints complementary to key lighting   191 Cosmetic Aqua Blue Pale tints complementary to key lighting   192 Flesh Pink Musical and pantomime key lights   193 Rosy Amber Warm, emotional, romantic   194 Surprise Pink With 193 for musicals   195 Zenith Blue Moonlight for dark sets, cycloramas   196 True Blue Moonlight   197 Alice Blue Moonlight, cycloramas   198 Palace Blue Dark Moonlight - romantic evening   303 Pale Gold Interior lighting to enhance skin tones   306 Medium Lemon Television - set lighting   308 Medium Straw Television - set lighting   309 Special Straw Television - set lighting   311 Flame Fire effect   313 Special Light Amber Television - set lighting   315 Special Golden Amber Television - set lighting   317 Dark Amber Backlight   321 Light Red Television effect lighting - cycloramas   322 Soft Green Cool green, used for gobo cover, pantomime, cycloramas   323 Jade Used for underwater scenes, cycloramas, backlight   325 Mallard Green Good for mood setting, undergrowth   327 Forest Green Deep green, sinister forest scenes, cycloramas, backlighting   328 Follies Pink Dramatic Stage lighting   332 Special Rose Pink Pantomimes, light entertainment etc, strong stage wash   339 Rose Purple Television, discos, cycloramas   340 Surprise Lavender Television   341 Plum Romantic atmospheric set lighting   342 Special Lavender Moonlight, romantic series enhances skin tones   343 Special Medium Lavender Theatre and television effect lighting backlighting   344 Violet Dusk effect, good skin tones, romantic effect   345 Fuchsia Pink Musical revue, pantomime, sultry scenes   349 Pale Blue Cool wash, cycloramas   350 No Colour Blue Moonlight for blue green seas, cycloramas with 147 to produce sunsets   352 Glacier Blue Cool blue, good for atmospheric setting   353 Lighter Blue Daylight effects   354 Special Steel Blue Cooling blue green wash for stage and set lighting   357 Special Medium Blue Mood effects   360 Bright Blue Television   361 Surprise Blue Television   363 Special Medium Blue Cool moonlight, mood effects   366 Cornflower Seasonal mood lighting, pale moonlight   371 Light Green Television, cycloramas   378 Yellow Green Television   380 Golden Amber Television - set lighting   381 Rose Purple Television, cycloramas   382 Medium Purple Television   383 Light Green Blue Television - pleasing effects for lighting   384 Sky Blue Television - night effect   385 Deeper Blue Moonlight - strong backlights (television)   386 Dark Bastard Amber Television   702 Special Pale Lavender A cold lavender with a full tungsten source, but warms as source dimmed. Good as a fill for slow sunset fades   704 Lily Cool lavender with little red content. Good for romantic evening exteriors   707 Ultimate Violet Musical performances for general colour washes and set lighting   711 Cold Blue To give a cold/grey HMI effect from tungsten source   713 J. Winter Blue Very dark blue with high UV content. Moody and powerful stage colour wash   715 Cabana Blue Deep blue. Enough transmission to work on TV   716 Mikkel Blue Romantic blue to produce night effect   719 Colour Wash Blue To allow low intensity tungsten to hold cold/blue feel   721 Berry Blue Musical performances for rear colour wash   724 Ocean Blue Useful at low levels of light, dull skies - moonlight   725 Old Steel Blue Cool wash, useful for highlights   728 Steel Green Approaching storms. Overcast days. Cold steely light   729 Scuba Blue Musical performances for rear colour wash   730 Liberty Green For creating mystery and suspense   735 Velvet Green Beautiful background green. Victorian melodrama   738 Jas Green Rich yellowish green: concert stage wash where darker skin tones, costume and set are a consideration   746 Brown Murky, dirty feel to tungsten. Darker, less pink chocolate   763 Wheat Adds warmth, sunlight   764 Sun Colour Straw Adds warmth, bright sunlight   765 Sun Yellow Useful for producing a strong sunlight effect   776 Nectarine Romantic sunset. Period pieces   777 Rust A vivid rust colour effect   778 Millennium Gold For lighting architecture: produces rich amber from tungsten source, much cooler on HMI lamp   779 Bastard Pink Deep sunset. Useful on dark skin tones   781 Terry Red Strong amber red that works well when used against reds & dark ambers in wash combinations and on cycloramas   789 Blood Red For deep, saturated red effect. Strong vivid red effect   790 Moroccan Pink Rich, natural pink, good for late afternoon sun effects   793 Vanity Fair Rich, glamorous pink, for use on special occasions   797 Deep Purple Musical performances for general colour washes and set lighting   798 Chrysalis Pink Deep lavendar with dash of rose blusher   200 Double CT Blue Converts Tungsten 3200K to Daylight 26000K   201 Full C.T.B. Converts Tungsten 3200K to Photographic Daylight 5700K   202 Half C.T.B. Converts Tungsten 3200K to Daylight 4300K   203 Quarter C.T.B. Converts Tungsten 3200K to Daylight 3600K   204 Full C.T.O. Converts Daylight 6500K to Tungsten Light 3200K   205 Half C.T.O. Converts Daylight 6500K to Tungsten Light 3800K   206 Quarter C.T.B. Converts Daylight 6500K to Tungsten Light 4600K   207 Full C.T.O. + 3ND Converts Daylight to Tungsten 6500K to 3200K and reduces light 1 Stop   208 Full C.T.O. + 6ND Converts Daylight to Tungsten 6500K to 3200K and reduces light 2 Stops   209 .3ND Reduces light 1 Stop without changing colour   210 .6ND Reduces light 2 Stops without changing colour   211 .9ND Reduces light 3 Stops without changing colour   218 Eighth C.T.B. Converts Tungsten 3200K to Daylight 3400K   223 Eighth C.T.O. Converts Daylight 6500K to Tungsten Light 5550K   281 Three Quarters C.T.B. Converts Tungsten 3200K to Daylight 5000K   285 Three Quarters C.T.O. Converts Daylight 6500K to Tungsten Light 3600K   298 .15ND Reduces light Half Stop without changing colour   299 1.2ND Reduces light 4 Stops without changing colour   441 Full C.T. Straw Converts Daylight to Tungsten with yellow bias   442 Half C.T. Straw Converts Daylight to Tungsten with yellow bias   443 Quarter C.T. Straw Converts Daylight to Tungsten with yellow bias   444 Eighth C.T. Straw Converts Daylight to Tungsten with yellow bias   129 Heavy Frost Used for soft light (75 micron base)   212 L.C.T. Yellow (Y1) Reduces Colour Temperature of low carbon arcs to 3200K   213 White Flame Green Corrects White Flame Carbon Arcs by absorbing UV   216 White Diffusion Soft light effect (50 micron base)   xxx1 60" White Diffusion Wide 216   217 Blue Diffusion Used for soft light (50 micron base) increases Colour Temperature slightly   219 Fluorescent Green General Tungsten to Fluorescent correction for use when fluorescent colour temperature is unknown, to provide medium correction. Used with colour correction filter   220 White Frost Used for soft light (75 micron base)   221 Blue Frost Used for soft light (75 micron base). Increases Colour Temperatures slightly   224 Daylight Blue Frost Soft light effect with Tungsten correction using full C.T.Blue (75 micron base)   225 Neutral Density Frost Soft light effect with neutral density (75 micron base)   226 UV Transmission of less than 50% at 410nms   230 Super Correction L.C.T. Yellow Converts Yellow carbon arc (low colour temp) to Tungsten   232 Super Correction W.F. Green to Tungsten Converts White Flame Arc to 3200K, for use with Tungsten film   236 HMI (To Tungsten) Converts HMI to 3200K, use with Tungsten film   237 CID (To Tungsten) Converts CID to 3200K, use with Tungsten film   238 CSI (To Tungsten) Converts CSI to 3200K, use with Tungsten film   241 Fluorescent 5700 Kelvin Converts Tungsten to Fluorescent light of 5700K (cool white/daylight). Used with camera filter   242 Fluorescent 4300 Kelvin Converts Tungsten to Fluorescent light of 4300K (white). Used with camera filter   243 Fluorescent 3600 Kelvin Converts Tungsten to Fluorescent light of 3600K (warm white). Used with camera filter   244 Full Plus Green Provides a green cast when used on daylight and Tungsten sources for partial balancing with Fluorescent. Approximately equivalent to CC30 Green. Used with a camera filter   245 Half Plus Green Provides a green cast when used on daylight and Tungsten sources for partial balancing with Fluorescent. Approximately equivalent to CC15 Green. Used with a camera filter   246 Quarter Plus Green Provides a green cast when used on daylight and Tungsten sources for partial balancing with Fluorescent. Approximately equivalent to CC075 Green. Used with a camera filter   247 Full Minus Green Used for eliminating green cast caused by Fluorescent lighting on film. Approximately equivalent to CC30 Magenta   248 Half Minus Green For partial elimination of green cast caused by Fluorescent lighting on film. Approximately equivalent to CC15 Magenta   249 Quarter Minus Green For partial elimination of green cast caused by Fluorescent lighting on film. Approximately equivalent to CC075 Magenta   250 Half White Diffusion Half strength 216   251 Quarter White Diffusion Quarter strength 216   252 Eighth White Diffusion Eighth strength 216   253 Light Frost Light frost effect   255 Hollywood Frost Light frost effect - softens edges   278 Eighth Plus Green Provides a green cast when used on daylight and Tungsten sources for partial balancing with Fluorescent. Approximately equivalent to CC0375 Green. Used with a camera filter   279 Eighth Minus Green For partial elimination of green cast caused by Fluorescent lighting on film. Approximately equivalent to CC0375 Magenta   416 Three Quarter White Diffusion Used for soft light effects   450 Three Eighth White Diffusion Used for soft light effects   452 One Sixteenth White Diffusion Used for soft light effects   705 Lily Frost Smoothes PAR or flood washes of large areas. Useful for houselights; a good colour wash for evening events   720 Durham Daylight Frost Smoothes PAR or flood washes of large areas. Useful for houselights; good for entrances from natural light   750 Durham Frost A frost that almost completely softens shutter edges and removes hot spots   774 Soft Amber Key 1 Used for producing a warm key light colour   775 Soft Amber Key 2 Used for producing a warm key light colour   791 Moroccan Frost Smoothes PAR or flood washes of large areas. Useful for houselights; good for interior colour washes   xxx2 White Diffusion Soft light effect (25 micron base)   xxx3 White Diffusion Soft light effect (50 micron base)   xxx4 White Diffusion Soft light effect (75 micron base)